Manifesto Maravillado Weekend Bigboy 24.12.27 Burn Bright, Roar Loud: A Holiday Rebellion!
Holiday Havoc Meets Chrome-Clad Carnage
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Shhean Connery trying to impresh UrsHHHula Andresshhh, 19shixT2.
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Born James Newell Osterberg Jr. on April 21, 1947, Iggy Pop carved his legacy as a trailblazing force in rock music. Often heralded as the “Godfather of Punk,” Iggy became synonymous with raw energy, rebellion, and wild stage antics that redefined live performance.
Iggy’s journey began in 1967 with the formation of The Stooges, alongside guitarist Ron Asheton, drummer Scott Asheton, and bassist Dave Alexander. Their raw, aggressive sound, merging rock, garage, and blues, gave birth to punk’s earliest roots. Albums like The Stooges (1969) and Fun House (1970) broke conventions, but it was 1973’s Raw Power—produced by David Bowie—that cemented their influence. Iggy’s snarling vocals and chaotic presence turned the album into a cornerstone for punk’s evolution, despite its initial commercial struggles.
When The Stooges disbanded in the mid-1970s, Iggy didn’t miss a beat. David Bowie became a pivotal collaborator, producing and co-writing two of Iggy’s landmark solo albums: The Idiot (1977) and Lust for Life (1977). Tracks like “The Passenger” and “Lust for Life” remain timeless anthems, showcasing Iggy’s ability to evolve while staying fiercely original.
Iggy’s career spans decades, marked by fearless innovation and legendary performances. Known for his stage dives, chaotic energy, and self-destructive theatrics, Iggy set the gold standard for punk frontmen and inspired generations of musicians. Even in his later years, Iggy remains a defiant and vibrant figure, continuing to create music, collaborate, and embody the countercultural spirit.
Great Ape reckons he is the Grandaddy of Punk. Iggy is a force of nature, a living icon of rebellion and rock ‘n’ roll incarnate
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Brutal 427 SOHC Big Block Chevy!
Zora Arkus-Duntov, the legendary Corvette chief engineer, never stopped pushing the limits of Chevrolet’s performance potential. In 1968, under his bold leadership, Chevrolet developed an experimental 427-cubic-inch Single Overhead Camshaft (SOHC) big-block V8—a revolutionary engine that aimed to redefine high-RPM power and cylinder head efficiency.
This powerhouse was designed to deliver over 600 horsepower, showcasing the cutting-edge engineering Arkus-Duntov was known for. Its SOHC architecture represented a significant leap beyond the traditional pushrod systems, promising exceptional performance that could have outclassed rivals on both the street and the track.
Sadly, the project never saw production, thwarted by high development costs and corporate resistance. Despite its untimely demise, the SOHC big block became a symbol of Arkus-Duntov’s visionary brilliance. His tireless pursuit of innovation not only laid the groundwork for Chevrolet’s future performance advancements but also cemented his status as one of the most influential engineers in automotive history.
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This chick captured by David Gahr while enjoying the Ramones at the Dr. Pepper Central Park Music Festival in NYC, August 11, 1980, when Holly & The Italians opened for them and right before the boys kicked off a six week tour of Europe.
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Peter Fonda, a name synonymous with counterculture cool and cinematic rebellion, lived a life filled with fascinating anecdotes and impactful moments that cemented his legacy. According to The Beatles Anthology book, Peter played an unexpected role in inspiring one of the Fab Four’s psychedelic classics, “She Said, She Said.” At a party, Fonda reportedly recounted his near-death experience—accidentally shooting himself in the abdomen at age eleven—and repeatedly told John Lennon, “I know what it’s like to be dead.” Lennon, both fascinated and unnerved, used this encounter as the foundation for the song, changing “He Said” to “She Said” to obscure its origin.
Peter’s relationship with his famous father, Henry Fonda, was layered and complex. In a touching moment, Peter directed his father in the 1979 film Wanda Nevada, casting Henry as an old prospector in the Grand Canyon. Despite Henry’s towering reputation, Peter reportedly paid him just $1000 for a single day’s work after receiving a call from his father saying he was out of work. This brief collaboration was both poignant and emblematic of their unique bond.
For “Easy Rider” (1969)—a defining film of the counterculture era—Peter fully immersed himself in his role as Captain America. To prepare, he wore the now-iconic American flag jacket and rode the radically designed chopper around Los Angeles for a week before filming began, letting them break in and get a “lived-in” feel. This act of dedication, however, came with unintended consequences: the patriotic imagery on his jacket and bike caused police to pull him over multiple times. The film itself originated from a photo of Peter and Bruce Dern on motorcycles, which sparked Peter’s idea to create a story about freedom and rebellion. He brought in Dennis Hopper to direct by convincing him it was his shot at cinematic reinvention, steering Hopper away from his plans to leave acting and teach instead.
Peter Fonda embodied the spirit of rebellion, creativity, and the open road. From inspiring The Beatles to reshaping American cinema with Easy Rider, his life and work continue to resonate as symbols of freedom and defiance.
Soul by Dariusz Zawadski
The Mysterion: A Hot Rod Masterpiece of the Futuristic Age
Built by the legendary Ed “Big Daddy” Roth in 1963, the Mysterion is a jaw-dropping fusion of wild imagination, engineering genius, and counterculture creativity. Roth, known for his radical custom cars and psychedelic artwork, pushed the boundaries of automotive design with this twin-engine, bubble-topped marvel.
The Mysterion featured dual Ford FE V8 engines, mounted side-by-side, giving it an unmistakable and over-the-top aesthetic that screamed excess and innovation. Its transparent bubble canopy, vibrant metallic paint, and futuristic design were pure showmanship, a true embodiment of the space-age influence on 1960s car culture.
While the Mysterion was never meant for the street or track, it became an icon of the custom car movement, appearing in magazines, shows, and inspiring countless builders. A shining example of form-over-function, it’s remembered not for practicality but for the sheer audacity of its vision.
The Mysterion remains a symbol of creativity, rebellion, and the limitless potential of hot rod design, continuing to inspire custom car enthusiasts and dreamers around the world.
And here you can get that Big Daddy Colour you always wanted!
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Lemmy Kilmister, the gravel-voiced godfather of heavy metal, was the legendary founder and frontman of Motörhead, a band that became synonymous with unrelenting rock ‘n’ roll. Known for his hard-living lifestyle, Lemmy embodied rebellion, grit, and unapologetic authenticity.
With his signature Rickenbacker bass, played like a rhythm guitar, and his unmistakable growl, he created iconic anthems like “Ace of Spades”, a track that still reverberates as the ultimate rock ‘n’ roll manifesto. Lemmy didn’t just play music—he lived it, becoming a symbol of the uncompromising spirit that defines heavy metal.
From his days with Hawkwind to his decades with Motörhead, Lemmy pioneered a sound that bridged punk, metal, and rock, leaving an indelible mark on the music world. His legacy is not just in the records he made but in the unapologetic way he lived: fast, loud, and always true to himself. Lemmy wasn’t just a rock star—he was rock ‘n’ roll personified.
Las Vegas 1947
Blackmore being a dick again…
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Burt Munro stands as a towering legend in motorcycling history, celebrated for his relentless pursuit of speed and mechanical innovation. Armed with his heavily modified Indian Scout, Munro transformed an already iconic bike into a machine capable of breaking records and turning heads on and off the track.
Before his Indian Scout became the stuff of legend, Munro honed his skills with a Velocette motorcycle, a testament to his early passion for racing. Known for its precision engineering, the Velocette provided a perfect platform for Munro’s creativity and determination, embodying his knack for squeezing every ounce of performance from a machine.
His crowning achievement came at the Bonneville Salt Flats in 1967, where Munro defied expectations and bureaucracy alike, setting a land speed record of 183.586 mph on his Indian Scout. This record-breaking feat wasn’t just about speed—it symbolized the power of ingenuity, perseverance, and sheer audacity. The world took notice, and Munro’s story was immortalized in the film “The World’s Fastest Indian,” ensuring his place in history as a symbol of Kiwi grit and innovation.
Munro’s legacy isn’t just about the records—it’s about his unyielding spirit, his disdain for red tape, and his ability to push the limits of what was thought possible. Whether on his Indian or his Velocette, Burt Munro’s name remains synonymous with the fearless pursuit of speed, inspiring generations of riders and dreamers alike. The Great Ape salutes this legend of the open road!
The Futurama that Sparked a Legend!
In 1959, a young George Harrison laid his hands on the Czech-made Delicia Futurama, a modest workhorse guitar purchased for 55 pounds at Hessy’s Music Shop in Liverpool. This unassuming axe would go on to play a pivotal role in the birth of The Beatles’ sound, gracing tracks like “Cry for a Shadow” and “My Bonnie.”
Though Harrison eventually parted with the guitar—gifting it to journalist Sean O’Mahony, who offered it as a contest prize—it nearly faded into obscurity. Remarkably, the contest winner turned it down, opting for cash instead! Decades later, this piece of rock history resurfaced and sold at auction for a staggering $1.27 million.
The Futurama was a launching pad for George Harrison’s rise to becoming one of the most influential guitarists in history. The Futurama stands as a reminder that even humble beginnings can lead to monumental legacies.
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Angela Cartwright, best known for her role as Penny Robinson in the 1960s TV series Lost in Space, brought warmth, intelligence, and curiosity to the screen as the middle child of the Robinson family. Penny was a bright and resourceful character, with a love for animals and a special bond with the Robot, often finding herself in adventurous—and occasionally perilous—situations on alien planets.
Cartwright’s performance added a unique charm to the series, making Penny an integral and beloved figure in the Robinsons’ interstellar adventures. Her transition from Brigitta von Trapp in The Sound of Music to a sci-fi icon in Lost in Space demonstrated her versatility and lasting appeal as an actress. Today, her portrayal of Penny remains a highlight of the show, fondly remembered by fans of all generations. Angela Cartwright helped make Lost in Space a timeless journey through the cosmos.
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Alessandro Biffignandi: The Master of Macabre Pinups and Pulp Art
Alessandro Biffignandi (1935–2017) was a celebrated Italian illustrator whose vivid, provocative, and often macabre artwork left a lasting mark on the world of pulp fiction and pop culture. Known for his work on Italian pulp magazines in the 1960s and 1970s, Biffignandi specialized in crafting hyper-stylized, seductive pinups and horror-themed covers that oozed both glamour and menace.
His art graced the covers of countless pulp novels, including detective stories, sci-fi, and erotic horror publications, where his ability to balance beauty with grotesque themes was unmatched. Whether depicting femme fatales, alien landscapes, or nightmarish creatures, his mastery of color, shadow, and detail brought these lurid fantasies to life with stunning impact.
Biffignandi’s influence extended beyond pulp fiction; his work resonated with fans of pop surrealism and retro aesthetics, cementing his legacy as a true visionary in the genre. His pinups—both alluring and dangerous—captured a unique blend of sensuality and fear, making his art instantly recognizable and eternally iconic.
Today, Biffignandi’s paintings are celebrated as treasures of mid-20th-century pulp culture, adored by collectors and fans of vintage art alike. His work stands as a testament to the power of imagination, where beauty and terror collide in unforgettable ways.
Few images capture the raw energy and chaotic spirit of punk rock quite like Johnny Rotten’s unblinking stare. As the snarling frontman of the Sex Pistols, Johnny embodied the anarchic ethos of late 1970s punk, using his wild-eyed glare and razor-sharp wit to dismantle societal norms and mock the establishment. His expression—equal parts curiosity, defiance, and provocation—became a symbol of rebellion for an entire generation.
With his fiery orange hair, a wardrobe pinned together with safety pins and sarcasm, and a mind sharp enough to cut through hypocrisy, Johnny Rotten, more than a musician was a movement. That unrelenting stare wasn’t all just a pose; it was a challenge to authority, conformity, and anyone unwilling to question the status quo.
Johnny’s unforgettable glare, the punk ethos still dares us to wake up, fight back, and never take life too seriously.
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Bill “Grumpy” Jenkins not looking so grumpy…
Alice Cooper asking Wolfman Jack if he had been a good boy all year.
Laika & The Cosmonauts – Absolut Live (1998)
Buckle up, because Laika & The Cosmonauts’ Absolut Live (1998) is an interstellar joyride through the uncharted waters of surf rock. These Finnish pioneers take the genre and launch it into orbit, blending cosmic soundscapes with razor-sharp guitar riffs and a precision that’s otherworldly.
Recorded live, the album radiates pure energy. Tracks like “Boris the Conductor”” “Experiments in Terror” and “Floating” pulsate with dynamic twists, showcasing their signature mix of surf rhythms and avant-garde exploration. The interplay between the band members is electric—every note feels meticulously crafted yet wildly untamed.
Laika & The Cosmonauts don’t just play surf, they create cinematic experiences. Their ability to merge vintage surf rock with space-age experimentation is unparalleled, making Absolut Live a standout performance.
Whether you’re riding waves or navigating the cosmos, this is the soundtrack for rebels with a love for the unconventional. So, crank it up, let the reverb wash over you, and prepare to be transported by the sound of Laika & The Cosmonauts at their finest.
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After a Hard Day on Sesame Street…
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Yep!
Noriyoshi Ohrai, the legendary Japanese illustrator and painter, was a master of cinematic grandeur and vivid imagination. His artwork, which often blurred the lines between fantasy, science fiction, and realism, became iconic worldwide, earning him a reputation as one of the most influential visual storytellers of the late 20th century.
Ohrai’s career exploded in 1980, when his striking poster for Star Wars: The Empire Strikes Back was used in Japan, showcasing his ability to capture the epic scale and emotional weight of a story in a single frame. This led to a long-standing collaboration with George Lucas’s franchise, as well as work for major Japanese productions like Godzilla, where his dramatic compositions brought kaiju battles to life with raw energy and detail.
Beyond film posters, Ohrai’s artistry extended to book covers, video game artwork, and promotional illustrations, each infused with his signature style: dynamic motion, intricate detail, and an almost otherworldly use of color and light. His ability to evoke both the cosmic and the intimate made his work resonate deeply, whether he was painting epic starships in battle or brooding, shadowy heroes.
Though he passed away in 2015, Noriyoshi Ohrai’s legacy lives on in his inimitable works, which continue to inspire fans, artists, and storytellers. His art doesn’t just illustrate—it transports, taking viewers to worlds of awe, wonder, and infinite possibilities.
1964 Comet of Jack Chrisman, blown 427 FE on Nitro and direct drive!
Affordable Rock Starter Kit
Captured outside the Taj Mahal Restaurant in Cambridge on January 18, 1980, here stand the Ramones—Johnny, Marky, Dee Dee, and Joey—looking like the kings of punk even while likely debating whether to order the chicken vindaloo or a round of samosas. It’s a quintessential snapshot of their raw charisma, blending leather-clad rebellion with an unexpected appreciation for Indian cuisine.
This photo comes from the tail end of their month-long European tour, which had taken them through the UK, Netherlands, Belgium, France, and Italy. After weeks of chaotic shows and relentless energy, a hearty meal at the Taj Mahal was undoubtedly a welcome respite. Known for their infamous fast-paced gigs, the Ramones weren’t just redefining music; they were living it—fast, loud, and unapologetic.
By the time of this snapshot, the band had already solidified their status as punk pioneers, delivering blistering anthems that packed the energy of a riot into two-minute masterpieces. Yet, even the godfathers of punk rock needed to refuel, and Cambridge’s Indian fare clearly hit the spot.
It’s a moment that underscores the duality of the Ramones—larger-than-life icons on stage, yet grounded enough to stop for a curry after the chaos. Whether it was “Blitzkrieg Bop” or vindaloo, the Ramones knew how to turn up the heat.
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“The Voyeur (Little Girl Observing Lovers on a Train)” by Norman Rockwell (1944)
Rockwell’s 1944 masterpiece captures a uniquely human moment aboard a crowded passenger train, blending humor, innocence, and tenderness with his signature eye for detail. At the center of the painting is a young couple, lost in their quiet intimacy, heads nestled together and legs comfortably draped over luggage. Above them hangs the man’s Army Air Force jacket, a subtle nod to the wartime context in which this moment takes place.
But the true star of this story is the curious little girl in the foreground, kneeling on her seat to observe the pair with a mix of innocence and mild disinterest. Her bright red outfit contrasts with the muted tones around her, and her expression, as she leans on her hands, suggests a child’s blend of curiosity and detachment—a fleeting glimpse of how adults navigate love and connection.
Rockwell’s composition is flawless. The conductor’s arm, the Navy sailor’s hat, and the crowded details of the train car pull the viewer deeper into this world, evoking the sense of a lived-in moment frozen in time. Every element, from the intricately drawn luggage straps to the scuffed shoes of the couple, builds a narrative rich in character and authenticity.
Acclaimed for its candid charm, the piece has been likened to the spontaneous, storytelling brilliance of Henri Cartier-Bresson’s photography. Since 1974, this painting has been part of the Memorial Art Gallery’s permanent collection in Rochester, New York, and remains a testament to Rockwell’s ability to capture the quiet dramas of everyday life with humor and heart.
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Fireball XL5 – The Last of the Zanadus EP 12
Last week, Fireball XL5 braved the unknown with Episode 11: “Space Monster”, where Steve Zodiac and the crew faced their most terrifying challenge yet—a colossal creature wreaking havoc on entire planets. With bravery, ingenuity, and teamwork, the crew unraveled ancient mysteries and fought to save the galaxy from the destructive force of the Space Monster, proving that no threat is too big for Fireball XL5.
This week, Fireball XL5 delves into ancient legends and cosmic secrets with Episode 12: “The Last of the Zanadus”! When an urgent signal from an uncharted planet draws the crew’s attention, they discover the ruins of an advanced civilization thought to be extinct—the enigmatic Zanadus. But as they explore the planet, they realize the Zanadus may not be as gone as history claims.
The mission takes a dangerous turn when the crew encounters a mysterious survivor who holds the key to unimaginable power but also harbors a dark agenda. The Zanadus’ advanced technology, long buried and misunderstood, has the potential to reshape the galaxy—or destroy it. As Steve, Venus, Robert, and Professor Matic race against time, they must decode ancient puzzles, outwit their mysterious adversary, and make impossible decisions to protect the universe from falling into chaos.
Packed with high-stakes adventure, gripping suspense, and jaw-dropping discoveries, “The Last of the Zanadus” is a thrilling journey into the distant past that holds the key to the galaxy’s future. Don’t miss this unforgettable chapter in the Fireball XL5 saga!
The Beatles Gear at Dodger Stadium (1966)
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British schoolboys waiting in line to receive a weekly dose of Cod Liver Oil~1960 Photo credit: Robert Doisneau…
This depicts Princess Chabela (the girl at Conan’s feet) and Queen Nzinga, from the novel “Conan the buccaneer” written in 1971 by Sprague de Camp and Lin Carter. The comic adaptation was in Savage Sword of Conan, issue 40 to 43.
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Maximillion from “The Black Hole” (1979) by Paul Wenzel
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The Great Ape demands you pick up that axe and play along with the punk god himself—Steve Jones!
Step into the gritty, rebellious world of the Sex Pistols, as Steve Jones shows you how to crank out the raw, snarling riffs that defined a generation. Whether it’s the sneering chords of “Pretty Vacant”, the breakneck energy of “Seventeen”, or the unapologetically brash swagger of “No Feelings”, this is your backstage pass to punk rock history.
Jonesy breaks it down, chord by chord, showing you that punk isn’t about perfection—it’s about attitude, energy, and that undeniable urge to kick down the doors of convention. You don’t need 100-watt stacks or fancy gear—just your guitar, a loud amp, and the spirit to let loose. Whether you’re a seasoned player or someone picking up the guitar for the first time, Jones’ riffs are the ultimate crash course in punk rebellion.
The Great Ape insists: Forget the rules. Plug in, crank it up, and unleash your inner anarchist. The revolution starts with your fingers. Let’s go!
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“CLICK”
Sid Snot meets Freddie Mercury!
Burn Out!
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Frank McCarthy
Tom Jones – Thunderball (1965)
Tom Jones’s Thunderball delivers an electrifying dose of cinematic grandeur. The theme for the 1965 James Bond film captures the tension, danger, and suave charm of the world’s most famous spy.
With bold orchestration and Jones’s commanding voice, the track immerses you in the high-stakes world of espionage. The lyrics ooze intrigue and confidence, mirroring the fearless persona of Bond himself. And that climactic final note? Pure vocal dynamite, leaving a lasting impact that echoes the intensity of the movie.
Whether you’re planning a secret mission or just looking to add some drama to your day, Thunderball is a timeless anthem of style, suspense, and unapologetic coolness. Let it transport you into Bond’s thrilling universe, where every moment brims with danger and sophistication.
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Cosmic Rebels Blaze Through the Holidays
Fast Eddie Clarke of Motörhead: Backstage with His Guitars, Newcastle City Hall, March 22, 1982 – Strat Bridge pickups can sound thin – Looks like Fast Eddie fixed that up by bunging in some Humbuckers
Earl Norem was a legendary American illustrator, renowned for his dynamic and richly detailed artwork that graced the covers of countless comic books, magazines, and novels. Best known for his contributions to Masters of the Universe, Conan the Barbarian, and Marvel Comics, Norem’s art brought larger-than-life heroes and epic battles to vivid reality. His work, characterized by bold compositions, dramatic lighting, and meticulous attention to detail, defined the look of fantasy and science fiction art in the late 20th century. A true master of the craft, Norem’s legacy continues to inspire fans and artists alike.
George Barris would have been 99 on the 22nd November!
Chicks Dig Andre the Giant…
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Lawrence Sterne Stevens was a celebrated American pin-up and pulp artist whose work captured the spirit of mid-20th-century popular culture. Known for his dynamic compositions and vivid use of color, Stevens brought life to pulp covers, magazine illustrations, and iconic pin-up art. His work often featured glamorous, confident women and thrilling action scenes, blending a sense of adventure with timeless allure. With a style that exuded both elegance and excitement, Stevens remains a beloved figure in the worlds of vintage art and pop culture history.
Cybill Shepherd, with her classic beauty and magnetic presence, became one of the most captivating figures of the 1970s. Whether as a model gracing magazine covers, an actress lighting up the big screen, or a cultural icon of effortless charm, Cybill was the epitome of that decade’s elegance and allure.
Rising to fame in 1971, Shepherd’s breakout role in Peter Bogdanovich’s critically acclaimed The Last Picture Show instantly cemented her as a Hollywood starlet to watch. Her portrayal of Jacy Farrow, a small-town Texas beauty navigating youthful rebellion, earned her both acclaim and the attention of directors and audiences alike.
What set Cybill apart was her ability to move seamlessly between being a sex symbol and a nuanced performer. Her collaborations with Bogdanovich, including Daisy Miller and At Long Last Love, showcased her range, while her off-screen romance with him kept her firmly in the public eye. Beyond the films, her wit, confidence, and unapologetic attitude embodied the evolving ideals of modern womanhood in the 1970s.
But Shepherd wasn’t just a one-note beauty. A native of Memphis, Tennessee, her Southern charm and sharp intellect gave her a depth that many of her contemporaries couldn’t match. After dominating the silver screen, she reinvented herself in the 1980s as the star of the beloved TV series Moonlighting, where her electric chemistry with co-star Bruce Willis gave audiences one of television’s most memorable pairings.
From her modeling roots to her acting prowess, Cybill Shepherd’s legacy is a testament to a woman who could captivate with just a glance. In every era, she managed to redefine glamour and talent on her own terms, a shining light in Hollywood’s ever-changing landscape.
Bon Scott AC/DC 1974
49 years ago December 1st 1975, AC/DC unleashed T.N.T. upon Australia and New Zealand, setting the stage for their explosive rise to rock ‘n’ roll dominance. Released on December 1, 1975, T.N.T. marked the band’s second studio album and introduced fans to bassist Mark Evans and drummer Phil Rudd, whose pounding rhythms became a cornerstone of AC/DC’s signature sound.
With tracks like “It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll)” and the title anthem “T.N.T.,” the album delivered raw, unfiltered energy that defined the spirit of hard rock rebellion. Interestingly, the last two tracks featured George Young and Tony Currenti, both of whom had already made their mark on High Voltage, the band’s debut.
Although T.N.T. was originally released exclusively in Australia and New Zealand, its electrifying sound proved impossible to contain, foreshadowing the global success that AC/DC would soon achieve. Pure dynamite, T.N.T. remains a timeless blast of rock power that still resonates nearly half a century later.
“It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll)”
This isn’t a song, my Hair-Brained Hooligans—it’s one of the sacred Ten Commandments of Rock, as decreed by The Great Ape! AC/DC’s anthem isn’t just a foot-stomping, bagpipe-wailing masterpiece; it’s a raw, unfiltered truth about the gritty, relentless climb to rock ’n’ roll glory.
From the grinding riffs of Malcolm and Angus Young to Bon Scott’s immortal howl, this track is a battle cry for every rebel with a dream, every misfit who dares to defy the odds. And let’s not forget—bagpipes in a rock song? Pure chaotic genius.
So, obey The Great Ape and blast this masterpiece at full volume. Feel the grit, embrace the grind, and remember—it’s a long way, but oh, what a ride it is.
Alex Schomburg was a powerhouse of visual storytelling, a name synonymous with the Golden Age of Comics who painted the pulp and comic book world in vibrant hues of action, heroism, and dazzling imagination. Born on May 10, 1905, in Puerto Rico, Schomburg immigrated to New York City in his teens, where his artistic talents quickly set him apart. Over his career, he created more than 500 comic book covers, making him one of the most prolific and celebrated illustrators of his time.
Hot Stuff …
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3 chords, 2 hands, and 1 lung – Link Wray
Link Wray – “Comanche” (1959): The Wild War Cry of Rock ‘n’ Roll
When Link Wray unleashed “Comanche,” he led this sonic cavalry charge, a raw, feral anthem that rips through the air like a war cry. This track captures the unrelenting energy and primal ferocity that Wray mastered, forging his own brand of untamed rock ‘n’ roll.
Comanche roars to life with Link’s signature power chords, distorted to the edge of chaos, and a rhythm so relentless it feels like a stampede. It’s wild, unapologetic, and dripping with attitude, a sound that grabs you by the collar and refuses to let go. It’s a sonic battlefield and Wray is the general rallying his troops.
The raw power of Link Wray’s guitar—3 chords, 2 hands, and 1 lung—punches through every second of “Comanche.” The title itself evokes imagery of untamed landscapes and fearless warriors, and Wray’s sound delivers exactly that. The pounding beat and aggressive riffing feel like a chase scene, an auditory adrenaline rush that’s impossible to outrun.
Comanche has an edge that sets it apart, an almost cinematic sense of drama. The track’s primitive energy could easily underscore a scene from a gritty Western or a rebellion in the making. It’s the kind of music that dares you to lose control, to let loose, and to embrace the chaos.
While “Rumble” made Link Wray a legend, “Comanche” solidified him as the master of raw, instrumental rebellion. The track is a call to arms for the outcasts, the misfits, and anyone who dares to live loud. Its unfiltered intensity remains a testament to Wray’s influence and the fearless spirit of his music.
So turn it up, feel the rumble in your chest, and let “Comanche” carry you into Link Wray’s untamed world of rock ‘n’ roll rebellion. It’s wild, it’s raw, it’s unforgettable—and The Great Ape says it’s mandatory listening.
Troubadour & The Penny Farthing Bicycle, 1956 by Ken Russell
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Precision driving display at the Royal National Show, Brisbane – August 1972 – The Great Ape was there!
Thirst for Hurst
Merry Krampusnacht
Haystacks Calhoun, one of professional wrestling’s earliest and most beloved giants, stands tall in the annals of the WWE Hall of Fame. Hailing from Morgan’s Corner, Arkansas, this 600-pound colossus captured the hearts of fans during the golden age of wrestling with his unmistakable charisma and sheer dominance in the ring.
Dressed in signature overalls and sporting a horseshoe necklace, Haystacks embodied the persona of a good-natured country giant, often stepping into the ring to face not one, but multiple opponents at a time. More often than not, those unlucky enough to square off against him were left flattened beneath his massive frame, much to the delight of his devoted followers.
Throughout his incredible career, Haystacks shared the ring with legendary figures such as Bruno Sammartino and Buddy Rogers, holding his own against some of wrestling’s greatest names. While he was a force in singles competition, Haystacks truly thrived in the tag team division. Partnering with the likes of Bobo Brazil and Jack Brisco, he proved to be an unstoppable ally, blending his raw power with their technical prowess.
However, it was his pairing with the young and agile Tony Garea that cemented his legacy. Together, this dynamic duo—a perfect balance of speed and power—toppled the villainous Mr. Fuji and Prof. Toru Tanaka to capture the coveted World Tag Team Titles in 1973. It was a defining moment in a career that bridged eras and left an indelible mark on the sport.
The Great Ape demands reverence for this titan of the ring, a man whose immense presence and larger-than-life personality continue to resonate in wrestling lore. Haystacks Calhoun remains an enduring symbol of strength, heart, and the unyielding spirit of the squared circle.
The King through the Ages…
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“Santa with Elves” by Norman Rockwell (1922)
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Robot Monster (1953) stands as one of the most endearingly bizarre creations in sci-fi cinema. Featuring Ro-Man, the unforgettable alien in a gorilla suit and a diving helmet, the film is a fever dream of low-budget ingenuity and unintentional hilarity. With his bubble machine lair and death ray weapon, Ro-Man’s mission to annihilate humanity spirals into an oddly touching tale of existential angst and surreal menace. It’s pure B-movie madness that has cemented its place in the hearts of cult film enthusiasts everywhere. Gloriously absurd and impossible to forget.
“Off to see the Penguin!” Jake and Elwood Blues, the dynamic duo from The Blues Brothers, stand iconic in their mission to save the orphanage where they grew up. With a knack for chaos and a deep love for rhythm and blues, these black-suited legends took on car chases, cops, and neo-Nazis—all in the name of redemption. Whether they’re dodging destruction or belting out soulful tunes, their relentless commitment to “the mission from God” remains as timeless as their shades and fedoras.
Masked marvels of the ring! These legendary luchadores represent the heart of Mexican wrestling, where high-flying moves, daring flips, and undeniable charisma electrify fans. The mystique of the mask is more than just tradition—it’s an identity, a symbol of honor, bravery, and unrelenting spirit. Whether battling in the ring or taking on villains in classic lucha libre films, these icons prove that heroes can emerge from behind a mask, with skill and flair that transcends generations. Viva la lucha!
Everyone wants to be Evel!
It’s Jungle Pam!
Just in Time for Xmas!
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Decked out in futuristic silver suits and otherworldly helmets, The Way-Outs brought a hilariously modern twist to the prehistoric world of Bedrock. Their infectious tune, “We’re The Way-Outs,” turned the Stone Age upside down, causing a frenzy among Bedrock’s residents. It was a tongue-in-cheek nod to the era’s obsession with both outer space and chart-topping bands.
The Way-Outs, a zany Hanna-Barbera creation, burst onto the scene in The Flintstones episode “The Masquerade Party,” first airing in 1965. This out-of-this-world, space-themed rock band parodied the 1960s British Invasion, blending sci-fi absurdity with rock-and-roll energy that perfectly captured the pop culture zeitgeist of the time.
Their brief appearance struck a chord, cementing The Way-Outs as a cult favorite among Hanna-Barbera fans. The absurdity of their concept, combined with their irresistibly catchy anthem, turned them into an enduring example of The Flintstones’ ability to seamlessly merge prehistoric humor with the quirks of contemporary pop culture. The Way-Outs live on as a quintessential piece of Bedrock’s rock-and-roll legacy!
Captured here in 1971 at Pompeii, David Gilmour sits in the dust, tweaking his Dallas Arbiter Fuzz Face during the filming of Pink Floyd’s iconic concert film. This moment isn’t just about the image—it’s the sound. Gilmour’s setup at the time was a masterclass in analog tone-building, featuring not only the Fuzz Face but also a Vox Wah, a DeArmond volume pedal, and the distinctive Binson Echorec II. At his fingertips (and toes) lay the sonic landscape of A Saucerful of Secrets.
The guitar? None other than the Black Strat, still in its near-original form, soon to become as legendary as the man wielding it. The Fuzz Face was Gilmour’s early go-to for fuzz and overdrive, used religiously from 1968 through 1971. During this period, he favored the germanium transistor model, known for its warm, smooth fuzz tone and remarkable ability to clean up beautifully when rolling back the guitar’s volume—especially with single-coil pickups.
By 1971, however, Gilmour had switched to a silicon transistor model, trading the warmth for a brighter, higher-gain tone. This version became his signature fuzz for albums like Meddle and Dark Side of the Moon. Tracks like Echoes and Atom Heart Mother are dripping with the silicon fuzz’s punchy grit, while live renditions of Money showcase his mastery in dialing back the gain for a cleaner, smoother drive.
Though the Fuzz Face was eventually replaced by the Big Muff in the Animals era, its tones defined Pink Floyd’s most experimental years. Whether saturating the air with cosmic fuzz or weaving intricate overdriven melodies, the Fuzz Face was the engine behind the soundscapes that elevated Gilmour—and Pink Floyd—into the stratosphere of rock history.
Gamera, the giant, fire-breathing, rocket-propelled turtle from Japanese kaiju cinema, has always been an icon of absurd, monster-sized mayhem—and this image only reinforces his quirky charm. Perched atop a building, casually munching on what appears to be a colossal burger, Gamera looks less like a city-destroying menace and more like the kaiju equivalent of a fast-food enthusiast on a lunch break.
Since his debut in 1965’s “Gamera: The Giant Monster,” the “Friend to All Children” has balanced chaos and charm, stomping through cities one moment and protecting humanity the next. While most kaiju stick to demolishing skyscrapers, Gamera here seems to have embraced a new pastime: snacking in style.
This playful depiction highlights why Gamera has endured as a cult favorite for decades. Whether he’s battling cosmic foes or just indulging in a larger-than-life craving, Gamera reminds us that even monsters have their off days. It’s a snapshot of kaiju culture at its most delightfully surreal!
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Before skateparks and kickflips, innovation rolled on wooden planks—this kid’s DIY creation might just be an early ancestor of the skateboard, built a hammer, and boundless street-side imagination.
“Sabotage” by the Beastie Boys explodes with raw energy, chaotic riffs, and relentless defiance. Released in 1994 on Ill Communication, this track hits like a sonic battering ram from the opening bassline to the ferocious yells of Mike D, MCA, and Ad-Rock. It’s a musical riot, distilled into three minutes of unfiltered adrenaline.
The blistering guitar riffs grind with pure grit, while the pounding drums feel like a relentless heartbeat driving the track forward. Ad-Rock’s furious vocals channel the pure frustration of betrayal, spilling over in a performance that’s equal parts rage and catharsis. Nothing about this song is subtle—it’s a full-throttle assault that demands your attention.
And the music video? A chaotic, Spike Jonze-directed tribute to 1970s cop dramas, complete with fake mustaches, car chases, and absurd action sequences. It elevated “Sabotage” into a cultural icon, blurring the line between parody and homage while doubling down on the song’s fiery spirit.
The Great Ape commands you to let this track crash through your speakers and embrace the glorious mayhem. No half-measures here—“Sabotage” is rebellion in sonic form, and it’s ready to tear down your walls. Also, it is just a fun film clip!
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Milner V Falfa – It’s a moment charged with tension, where bravado meets destiny. Lucas’ expert pacing and the atmospheric streetlights transform the simple act of drag racing into a rite of passage, a fleeting but defining moment for everyone watching and participating.
Here’s Poison Ivy, The Queen of Psychobilly Cool and the unstoppable co-founder of The Cramps, effortlessly exuding her trademark blend of danger, allure, and rockabilly grit. With a crown that screams royalty and an attitude to match, she redefined what it meant to be a guitarist in punk and psychobilly—sharp riffs, razor-edged style, and a touch of surreal, campy brilliance.
Whether ruling the stage or posing with feline flair, Ivy’s iconic image and sound made her a legend, proving that raw talent and bold individuality always rise to the top? Maybe the bottom!
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On November 23rd, 1936, Robert Johnson entered room 414 of the Gunter Hotel in San Antonio, Texas, for his very first recording session. It was a day that would alter the course of music history, as Johnson recorded eight songs that captured the raw emotion and brilliance of his talent. Among them were “Terraplane Blues,” his only hit during his lifetime, which used the metaphor of a broken-down car to express heartbreak and betrayal. He also recorded “(I Believe I’ll) Dust My Broom,” showcasing his masterful slide guitar technique, and “Sweet Home Chicago,” a song that would go on to become an enduring anthem for the blues.
Another standout was “Ramblin’ On My Mind,” a deeply introspective piece reflecting personal anguish, while “Come On In My Kitchen” revealed his hauntingly intimate style, inviting listeners into the world of his music. These recordings, filled with emotion and technical skill, set the foundation for Johnson’s legacy. Room 414, now a legendary location, remains a monument to this pivotal moment in music history, where the genius of Robert Johnson was first immortalized.
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“Granny Gets a Ride” (1950s) by Henry “Hy” Hintermeister (1897-1970)
In a wild fusion of surf rock, pop culture, and campy comedy, Jan and Dean delivered “Jan and Dean Meet Batman,” a concept album that combined their musical prowess with the whimsy of 1960s superhero mania. Released at the height of the Batman craze, this Liberty Records gem features playful sketches, spirited tracks, and a distinctive surf rock twist on Gotham’s iconic soundscape.
One standout cut is their cover of the “Batman Theme,” which blends energetic surf guitar riffs with a Hammond B3 organ solo that takes the tune to groovy new heights. It’s a funky, irreverent take that perfectly captures the duo’s knack for merging humor with catchy melodies.
Tragically, just months after the album’s release, Jan Berry’s near-fatal car accident marked the end of Jan and Dean’s recording career, leaving this album as one of their last works together. Equal parts novelty and nostalgia, “Jan and Dean Meet Batman” stands as a quirky, unforgettable entry in the duo’s catalog—and a surf-rock love letter to the Dark Knight.
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The Great Ape’s Guide to Festive Chaos
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Dick Landy – Mr 4 Speed!
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1970’s-early 1980’s Radio Shack kit, inexpensive, I had the crystal radio kit, about $4.
Joe Jusko’s dynamic artwork for “The Thing” is nothing short of spectacular, capturing the raw, monstrous power and humanity of Marvel’s ever-lovin’, blue-eyed hero. Jusko, renowned for his highly detailed, hyper-realistic style, brings Ben Grimm to life with every muscle, crack, and grimace bursting from the page.
The vibrant colors and dramatic composition amplify The Thing’s iconic presence, a symbol of strength, resilience, and heart within the Marvel Universe. Whether he’s clobberin’ foes or protecting his friends, Jusko’s art immortalizes The Thing as the ultimate mix of brawn and bravery. It’s clobberin’ time, indeed!
Mark Mothersbaugh, the dynamic frontman and co-founder of Devo, brought a unique blend of energy, satire, and innovation to the stage. This iconic image captures him in full Devo regalia—helmet, sunglasses, and their signature industrial aesthetic—melding punk rebellion with avant-garde performance art. Known for their philosophy of “de-evolution,” Devo challenged societal norms with tracks like “Whip It” and anthemic performances that fused high-energy guitar riffs, synthesizers, and surreal theatrics.
Mothersbaugh’s unrelenting passion for creating saw him transcend Devo’s music, influencing fields as diverse as visual art, film scoring, and pop culture. Here, the raw intensity of his stage presence reminds us of Devo’s lasting mantra: question everything, embrace the absurd, and never stop evolving.
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Few pin-up artists could capture the sheer vitality and playful energy of their subjects quite like Al Brulé. Renowned for his vibrant color palette and dazzlingly radiant figures, Brulé’s work stood out in the golden age of pin-up art. His women weren’t just static muses; they were alive with motion, character, and attitude.
Take this piece, “Bongo Bongo”, for instance. It’s classic Brulé—a scene bursting with life and rhythm. The glowing blonde, caught mid-drumbeat, radiates joy and carefree abandon. Her pose is dynamic, almost musical, and the attention to detail, from the floral lei to the vibrant drum design, speaks to Brulé’s mastery in creating a fantasy that feels both exuberant and immersive.
Brulé’s pin-ups weren’t just about beauty; they celebrated fun, personality, and charm. While his contemporaries leaned into sultry glamour, Brulé infused his work with a cheeky innocence that set him apart. His ability to blend sensuality with humor made his pieces endlessly captivating, a hallmark of the mid-century pin-up era.
Today, Al Brulé’s art continues to be celebrated for its joyous spirit and flawless technique. His work is a time capsule of post-war optimism, a reminder of an era when pin-ups were more than just eye candy—they were icons of charm, playfulness, and the promise of adventure. “Bongo Bongo” encapsulates that spirit perfectly—bold, bright, and impossible to ignore.
Give us a push!
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Rock Monster
Superman! Art by Kevin Maguire and Dave Gibbons!
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Norman Rockwell – Four Boys on a Sled
The Great Ape commands viewing! Let’s talk about Battle in Outer Space (1959)—a thrilling slice of retro sci-fi cinema that’s pure atomic-age spectacle! Directed by Ishirō Honda, the same visionary behind Godzilla, this gem catapults audiences into the cosmos with a story of interplanetary warfare and dazzling miniature effects.
The plot is delightfully ambitious: a mysterious alien race known as the Natal launches an all-out assault on Earth, deploying advanced weaponry and mind-control technology to bend humanity to their will. But Earth won’t go down without a fight! A united international space force takes the battle to the stars, facing off against flying saucers, orbital lasers, and epic zero-gravity battles.
What makes this movie unforgettable isn’t just its action-packed plot, but the incredible production design. The miniatures, spacecraft, and special effects showcase the height of 1950s Japanese filmmaking ingenuity, creating a vision of the future that’s both endearingly vintage and surprisingly imaginative. And let’s not forget that stunning score by Akira Ifukube, which gives the intergalactic showdown its heroic energy.
This is a film where rockets soar, lasers blaze, and nations unite in true Cold War-era optimism. It’s pulpy, it’s exciting, and it’s an absolute must-watch for fans of classic sci-fi and model-making artistry.
Battle in Outer Space is a thrilling journey into the heart of mid-century futurism, brimming with the bold imagination and daring creativity of the atomic age. So buckle up, Slack-Jawed Jungle Junkies—The Great Ape has spoken!
Joe DeVito is a renowned comic artist, illustrator, and painter, celebrated for his vivid and dynamic works that bring iconic stories to life. From his stunning depictions in King Kong projects to his work on War of the Worlds, DeVito masterfully combines realism and imagination, capturing the essence of classic sci-fi and adventure with unmatched artistry.
“Death Race 2000” is a chaotic fusion of dystopian satire, vehicular carnage, and dark humor that has cemented its place as a cult classic. Conceived by Roger Corman to ride the wave of futuristic sports films sparked by Rollerball (1975), the project went through a labyrinth of rewrites and challenges before roaring onto the screen. Adapted from a short story by Ib Melchior, the script was initially deemed unshootable by director Paul Bartel, prompting a rewrite by Charles B. Griffith.
Originally, Corman sought Peter Fonda for the lead role, but Fonda found the premise too absurd and passed. The mantle of the enigmatic racer Frankenstein was instead taken up by David Carradine, fresh off his run as Caine on Kung Fu. For Carradine, the role was an opportunity to shatter his serene TV persona and kick-start his movie career, a gamble that paid off handsomely as he earned 10% of the film’s gross for his efforts.
Despite its campy charm, the production faced numerous obstacles. Carradine refused to wear leather, forcing costume designer Jane Ruhm to fashion his now-iconic black outfit from a convincing alternative fabric. The cars themselves—essential to the movie’s action—proved to be unreliable, often needing to be pushed downhill to simulate movement. To enhance the illusion of speed, cameras were undercranked, a testament to the ingenuity that overcame the shoestring budget. Ironically, many of the custom cars, originally built on a budget, were later sold to museums at prices far exceeding their production costs.
Bartel’s vision for Death Race 2000 clashed with Corman’s emphasis on action and gore. Scenes of subtle satire and comedy were stripped in favor of crushed heads and blood squibs, leaving Bartel with mixed feelings about the final product. Still, moments of his trademark humor survived, such as a sardonic dig at the French economy and the introduction of the “Girl Fan,” played by Bartel’s sister Wendy, who hilariously seeks to make her self-sacrifice under Frankenstein’s wheels “meaningful.”
“Death Race 2000” is more than its campy exterior; it’s a biting commentary on violence, celebrity culture, and societal decay wrapped in absurd spectacle. Against all odds, the film’s fusion of outlandish stunts, irreverent satire, and low-budget ingenuity has made it an enduring relic of cult cinema.
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Few musicians can claim the seismic impact on a genre that Dick Dale had on surf rock. Known for his ferocious, lightning-fast guitar style, Dale was more than a pioneer—he was a revolutionary force. Born Richard Monsour in 1937 in Boston to a Lebanese father and Polish mother, Dale’s music reflected a fascinating blend of cultural influences. His passion for the oud (an Arabic stringed instrument) and his admiration for big band drummer Gene Krupa helped shape the rhythmic and melodic brilliance that defined his sound.
When Dale moved to Southern California in 1954, he immersed himself in the burgeoning surf culture. Combining the crashing rhythm of ocean waves with the fiery pulse of rock ‘n’ roll, Dale essentially invented surf rock. His groundbreaking 1961 hit “Misirlou” wasn’t just a song—it was a sonic tidal wave that shook the music world.
Dale’s approach to the guitar was nothing short of legendary. A left-handed player who flipped right-handed guitars upside down, he pioneered a playing style that pushed the limits of speed and power. His signature Stratocaster, affectionately known as “The Beast,” featured ridiculously heavy strings and no tone controls—perfect for his brutal, high-energy performances.
But Dale’s influence extended far beyond his six-string wizardry. Collaborating with Leo Fender, he helped create the first 100-watt amplifier after blowing up multiple 10-watt models during his quest for volume. Dale also pioneered the use of reverb, giving surf rock its iconic “wet” sound. His technical innovations reshaped music gear and paved the way for countless guitarists.
Despite losing some steam during the British Invasion, Dale found new life in the 1980s, earning a Grammy nomination for his cover of “Pipeline” with Stevie Ray Vaughan. His music reached an entirely new audience in 1994, when Quentin Tarantino featured “Misirlou” as the opening theme of Pulp Fiction. The track became synonymous with cool rebellion, solidifying Dale’s legacy and spawning renewed interest in his work.
Until his passing in 2019, Dick Dale continued to electrify audiences with his raw energy and unparalleled musicianship. Whether shredding through venues or inspiring future generations, Dale’s place in music history remains undeniable. His sound wasn’t just about surfing—it was about defiance, innovation, and the sheer thrill of living loud. If you’ve never cranked up “Misirlou” or witnessed the power of his guitar work, now’s the time to dive headfirst into the wave of pure sonic rebellion that Dick Dale created.
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Some days are Diamonds, some days are Storms…
David Hedison and Patricia Owens enjoy a ciggy and a gossip between takes on The Fly (1958).
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Deb’s
She’s a Fave! You wanna know more?
Debbie Harry: The Iconic Rebel of Punk Rock and Pop Culture – Manifesto Maravillado
The Great Ape Commands It: You WILL Love Blondie!
Bow to the brilliance of Blondie, my knuckle-dragging comrades! From their punk rock roots to their new wave reign, Blondie is a sonic force of nature that obliterates the mundane. Debbie Harry’s hypnotic vocals, Chris Stein’s razor-sharp riffs, and Clem Burke’s thunderous drumming aren’t just music—they’re an auditory revolution.
“Accidents Never Happen,” the shimmering gem from Eat to the Beat, is a Blondie masterpiece that blends heartbreak with dancefloor swagger. With its pulsing rhythm and poetic cynicism, this track doesn’t just play—it invades your soul and leaves you craving more.
So, hit play, crank it up, and let the hypnotic brilliance of Blondie remind you why they’re legends. The Great Ape has spoken—resistance is futile! Obey the beat!
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Bill Medcalf was a celebrated illustrator of the Golden Age, best known for his elegant and playful pinup art. His work captured the optimism and charm of mid-20th-century America, blending wholesome beauty with a touch of allure. Whether depicting women in vibrant settings or moments of spontaneity, Medcalf’s pinups remain iconic symbols of post-war glamour and vitality.
Dick Landy popping a wheelie!
Many of the masks worn by legendary Luchadores such as El Santo, Blue Demon, Mil Máscaras, and others. Which one is your fave?
The Great ape has a fave!
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Caroline Munro is a British cinematic icon celebrated for her captivating roles in horror, science fiction, and action films. She first gained recognition when Hammer Films cast her in Dracula AD 1972 and Captain Kronos – Vampire Hunter (1974), roles that solidified her cult following. Munro’s enchanting presence shone in classics like The Golden Voyage of Sinbad (1973) and the James Bond hit The Spy Who Loved Me (1977), cementing her as a fan favorite.
Her journey to stardom began with an unexpected twist—her mother entered her photo into a contest, leading to her becoming a Vogue cover girl and starring in fashion ads and commercials. Paramount Studios noticed her, offering her a one-year contract that kickstarted her acting career. Caroline’s early roles included bit parts in films like Casino Royale (1967) and Where’s Jack? (1969), but it was her unique charm and striking beauty that set her apart.
Caroline was the only performer to secure a long-term contract with Hammer Films, a testament to her immense talent and appeal. Throughout the 1970s, she shared the screen with stars like Joan Collins in I Don’t Want to Be Born (1975) and appeared in the hit series The New Avengers. Her career went international in the 1980s, with roles in European productions and American films like Maniac (1980) and the multi-award-winning The Last Horror Film (1982). Beyond the silver screen, she even hosted the game show 3-2-1 from 1984 to 1987.
With a career spanning close to 40 feature films, 7 short films, and numerous TV shows, Caroline Munro has left an indelible mark on the entertainment world. A proud mother of two, she remains an enduring figure of elegance and talent. As she approaches her 76th birthday on January 16, 2025, her legacy as a beloved star continues to shine brightly.
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The day young Jimmy got into drag racing…
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On the Road Again
“Death on the Ridge Road” (1935) by Grant Wood is a powerful example of American Regionalist art, capturing a dramatic moment of near-collision on a rural road. In this work, Wood departs from his usual serene depictions of Midwestern life, such as the iconic “American Gothic”, and instead focuses on the ominous tension of modernity encroaching on traditional rural settings.
The painting portrays a winding country road with a cresting hill, where a car speeds toward a truck with the suggestion of an impending accident. The juxtaposition of the sweeping pastoral landscape with the ominous mechanical presence of vehicles creates a sense of foreboding, highlighting themes of fragility and unpredictability in everyday life. The viewer feels the imminent danger, frozen in time, while the rolling hills and dramatic clouds add to the tension.
Wood’s mastery of perspective, with the road pulling the viewer’s eye into the potential disaster, underscores his ability to balance narrative and symbolism. This painting is often interpreted as a commentary on the growing tension between progress and tradition in America during the 1930s. “Death on the Ridge Road” remains one of Wood’s most striking and thought-provoking works, blending technical precision with emotional impact.
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Carlos Valenzuela is a renowned illustrator celebrated for his captivating artwork in the realms of horror, sci-fi, and pulp fiction-inspired imagery. A native of Chile, Valenzuela’s career blossomed as he brought his vivid imagination and dynamic style to life, creating visuals that resonate with fans of classic genre art.
Valenzuela’s work is often described as a modern homage to the golden age of pulp magazines, blending dramatic compositions with vibrant color palettes and an attention to detail that evokes the aesthetic of mid-20th-century cover art. His pieces frequently feature monsters, heroic figures, and action-packed scenes, seamlessly merging nostalgia with a contemporary edge.
A significant portion of his acclaim stems from his contributions to comic book covers and collector’s editions, where his art has graced projects for major publishers like Dynamite Entertainment and IDW Publishing. Valenzuela’s work on iconic franchises such as Vampirella, Mars Attacks, and The X-Files demonstrates his ability to reinterpret classic characters and themes while retaining their timeless appeal.
Beyond his technical skill, Carlos Valenzuela’s art is a celebration of the fantastical and surreal, drawing audiences into richly imagined worlds. His ability to channel the spirit of retro pulp while delivering fresh and compelling visuals makes him a standout talent in the world of genre art.
Who does not love Hooker Headers!
“Santa’s Surprise” by Norman Rockwell (1949)
The rock world of 1977 was undergoing a seismic shift, with women like Lita Ford, Debbie Harry, and Joan Jett leading the charge in breaking the industry’s male-dominated barriers. Each brought a distinctive edge and attitude to the scene, rewriting what it meant to be a woman in rock.
Lita Ford, a former guitarist of the all-female powerhouse The Runaways, was forging her solo identity with fiery riffs and relentless energy, laying the groundwork for her future as a heavy metal icon. Meanwhile, Debbie Harry was the queen of the avant-garde, fronting Blondie and defining the intersection of punk and new wave. With her unmistakable voice and fearless fashion sense, Harry wasn’t just a performer—she was a cultural revolution in motion. And then there was Joan Jett, another Runaways alum, blazing her own trail with The Blackhearts and delivering her timeless anthem, “I Love Rock ‘n’ Roll”, just a few years later.
Together, these women did more than just rock the stage—they challenged societal norms, proving that fierce talent and bold individuality could triumph in an industry reluctant to change. Their music wasn’t just a sound; it was a battle cry for women everywhere, an unapologetic declaration of their right to own the spotlight.
Their collective influence didn’t just shape the soundtrack of the late 70s—it created a ripple effect felt across generations. With every chord they struck, every lyric they belted, and every stage they owned, these icons rewrote the rules of rock ‘n’ roll, proving that the genre was big enough for everyone—and better because of it. Ford, Harry, and Jett were true revolutionaries, leaving a legacy that continues to inspire and ignite generations.
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Death is undefeated!
The Great Ape Commands: Dickies in White Satin!
Hold onto your banana peels, my knuckle-dragging hooligans, because The Dickies have taken the moody masterpiece and flipped it into a punk-fueled joyride of irreverent energy! Their cover of “Nights in White Satin” ditches the melancholy for snotty vocals, driving guitars, and a tempo that’s unapologetically chaotic. It’s the Moody Blues on speed, and it’s everything you didn’t know you needed.
The Great Ape demands your compliance! Crank it up, mosh around the jungle, and let this punk rock blitzkrieg turn your satin nights into a full-throttle frenzy. Long live de-evolution!
Surfers Paradise in 1963 captures the golden era of Australia’s beach culture, a buzzing hotspot for sun, sand, and surf. Originally named Elston, the area was largely inaccessible until Jim Cavill, a visionary hotelier, purchased land and built the Surfers Paradise Hotel, introducing the name Surfers Paradise on 1st December 1933 to enhance its appeal. Though the original hotel was tragically destroyed by fire in 1936, it was rebuilt the following year, cementing the area’s reputation as a must-visit coastal destination.
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Ring in the New Year with Retro Sci-Fi Madness
Edward Runci (1921–1986) was an American artist renowned for his vibrant pin-up illustrations during the mid-20th century. His work captured the playful, flirtatious spirit of the era, often portraying glamorous women in lighthearted, mischievous scenarios. Known for his mastery of color and expressive detail, Runci’s pin-ups radiated charm and personality, standing out in a crowded field of post-war popular art.
Beyond his pin-up work, Runci was also an accomplished portrait artist, bringing a sense of realism and warmth to his subjects. His ability to blend idealized beauty with naturalistic detail made his art both aspirational and relatable, cementing his place as one of the iconic artists of his time.
Lon Chaney Jr. finds an unconventional use for an Alsatian on the set of The Wolf Man.
The Krampus is coming!
Hey Charger!
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The Damned – Neat Neat Neat (1977)
Exploding onto the punk scene with raw, unfiltered energy, Neat Neat Neat is a high-octane anthem that captures the chaotic spirit of 1977. With its relentless bassline, razor-sharp guitars, and Dave Vanian’s snarling vocals, this track delivers a sonic punch that still resonates decades later.
It’s pure punk perfection—raw, rebellious, and completely untamed, just the way The Great Ape demands it. The Damned’s signature blend of frenetic energy and dark charisma is on full display, proving why they remain one of punk’s pioneering forces.
Turn it up, lose yourself in the madness, and let Neat Neat Neat ignite the punk rocker in your soul. Because when The Great Ape commands, resistance is futile—this track doesn’t just demand attention; it drags you headfirst into the chaos.
Sweet…
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Carlo Jacono
The 80’s – Digital Clocks, Colour TV, VCR’s and Buckeroo Banzai
Clutch Cargo Episode 4: “Pearl Pirates”
Set sail for high seas adventure as Clutch Cargo, his loyal dog Paddlefoot, and trusty sidekick Spinner take on a perilous maritime mission in “Pearl Pirates”! This time, the team dives into a sun-soaked mystery off a remote tropical island, where a string of daring pearl heists has left local fishermen in despair. Their task? To outsmart a band of ruthless pirates whose cunning knows no bounds.
But these aren’t your average swashbucklers! Armed with high-tech gear and a knack for disappearing without a trace, the pirates prove to be a formidable challenge. As Clutch and the crew piece together the clues, they must navigate treacherous waters, fend off dangerous sea creatures, and survive an ambush on the open ocean. With Spinner’s quick thinking, Paddlefoot’s unshakable loyalty, and Clutch’s unwavering courage, the team inches closer to uncovering the pirates’ hidden lair and their master plan.
“Pearl Pirates” delivers everything you love about Clutch Cargo: daring escapades, clever twists, and the iconic Syncro-Vox animation style that keeps you glued to the action. From undersea chases to explosive showdowns on the beach, this episode is a tidal wave of excitement and adventure.
So grab your life vest and prepare to be swept away! “Pearl Pirates” is a thrilling oceanic odyssey that proves once again why Clutch Cargo is the ultimate hero for danger-filled missions. Don’t miss it!
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Yul Brynner and Telly Savalas redefined Hollywood’s idea of leading men—not with perfect pompadours or dashing hairlines, but with boldly shaved heads. In an industry that often clung to conventional ideals of glamour, these two iconic actors used their baldness to carve out unforgettable legacies, proving that confidence and individuality could trump the glossy norms of stardom.
Yul Brynner, enigmatic and exotic, didn’t start his career as the bald icon we remember. Born in Russia and raised amid an aura of mystery, Brynner once sported a full head of dark hair. It wasn’t until 1949, preparing to play King Mongkut in The King and I on Broadway, that he shaved his head to embrace the role’s regal intensity. The decision, practical at first, became an integral part of his identity. Brynner’s smooth, shaven head gave him a striking, otherworldly charisma that made him stand out in the Hollywood crowd. By the time he brought King Mongkut to the silver screen in 1956, Brynner had solidified himself as a cinematic icon. His bald look wasn’t just a choice—it was a brand, one he carried with pride throughout his career.
Telly Savalas, on the other hand, stumbled upon his signature look almost by accident. Born Aristotelis Savalas in New York, he started his career in journalism and television hosting before pivoting to acting. In 1965, while playing Pontius Pilate in The Greatest Story Ever Told, Savalas shaved his head for the role. What began as a necessity turned into a revelation. His baldness gave him a rugged, raw appeal, exuding tough-guy charisma with an edge of menace. By the time he stepped into the role of Theo Kojak, the lollipop-sucking detective in the hit TV show Kojak, Savalas’s look had become inseparable from his persona. His catchphrase, “Who loves ya, baby?” became as iconic as his gleaming scalp.
While Brynner’s baldness symbolized a refined elegance, Savalas radiated streetwise grit. Their looks weren’t gimmicks but bold declarations of individuality in an era that often worshipped conformity. They proved that true star power wasn’t about fitting into a mold—it was about breaking it entirely. Brynner and Savalas owned their choices, transforming baldness into a badge of honor, charisma, and undeniable presence.
In a world where Hollywood leading men were expected to epitomize traditional allure, these two legends stood out—not in spite of their baldness but because of how unapologetically they embraced it. Their lasting legacy reminds us that confidence is the ultimate style, no matter what’s (not) on your head.
American Graffiti
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Flesh-eating Atomic Wasp! Monster from Green Hell (1957)
Alright, my radioactive mischief-makers, prepare your ape-brained noggins for a journey into cinematic chaos that’ll sting harder than a swarm of atomic wasps! I, The Great Ape, COMMAND you to watch this cult classic of pure 1950s B-movie brilliance: Monster from Green Hell! This time, it’s colorized for extra madness—because why face flesh-eating, mutant insects in black and white when you can watch their glowing, toxic menace in full technicolor horror?
This one’s a gooey cocktail of atomic-age paranoia and creature-feature mayhem, where science meets stupidity in the best possible way. When a space experiment goes horribly wrong (because of course it does), ordinary wasps mutate into giant, flesh-hungry terrors, setting their sights on humanity from their new lair in the steamy, unforgiving jungle of Green Hell. With a team of scientists racing against time, the plot packs in exploding laboratories, daring jungle expeditions, and lots of terrified screaming.
Expect cheesy dialogue, rubber-suit monsters, and a soundtrack that’s more dramatic than your last breakup. And let’s not ignore the joy of watching these “serious” scientists react to wasps the size of station wagons with heroic levels of panic.
So grab your popcorn, put on your anti-wasp goggles, and embrace the absurdity, chaos, and glorious what-the-hell-is-going-on energy of this classic.
The Great Ape commands you to comply—watch this buzzing masterpiece now and let the atomic terror begin!
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The Thanksgiving That Herman and Grandpa Got Drunk and Dropped the F-Bomb on Betty White or “Sometimes, even the undead can’t hold their liquor”
In September of 1964, The Munsters debuted on CBS, quickly becoming a runaway hit. Riding high on their newfound fame, Fred Gwynne (Herman Munster) and Al Lewis (Grandpa) were asked to appear in the annual televised Thanksgiving Day Parade. It was early in the show’s run, and though Gwynne famously disliked public appearances due to the hours of makeup application, he reluctantly agreed, thinking it might boost his career.
Bundled into the iconic Munsters Koach, Gwynne and Lewis braved the chilly Manhattan air, waving to fans along the parade route. But as Stephen Cox detailed in his 2006 book, The Munsters: A Trip Down Mockingbird Lane, the festivities took a chaotic turn thanks to some questionable “fortification” against the November chill.
According to Karl Silvera, the show’s makeup artist, Gwynne had brought along a bottle discreetly wrapped in a paper bag, sipping as the parade rolled on. By the time the Koach reached its destination near the platform of parade hosts Betty White and Lorne Greene, the frosty weather wasn’t the only thing that had him fired up.
With a hearty dose of “liquid courage,” Gwynne reportedly let loose a few choice obscenities at parade spectators along the way. Silvera, tasked with playing the Munsters theme from a hidden speaker, had to crank up the volume to drown out Herman’s colorful vocabulary.
But the pièce de résistance came when Gwynne recognized Betty White and Lorne Greene in the media box. He turned to the cameras and loudly shouted, “F— you!” The horrified hosts looked as though they might topple off the platform. Meanwhile, Silvera frantically dialed up the theme music to cover the damage.
Though paradegoers were undoubtedly treated to an unforgettable moment of holiday chaos, the fallout was swift. The Munsters and their Koach were not invited back for the 1965 parade, and Gwynne’s parade antics have since passed into TV legend—a bizarre and hilarious footnote in the legacy of Mockingbird Lane.
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Basil Gogos’ terrific portrait of Oliver Reed in The Curse of the Werewolf (Hammer 1961), painted for the cover of Famous Monsters of Filmland (No 12, 1961)
The Great Ape Commands You to Know Your Product
Stop what you’re doing, my Hair-Brained Hooligans, and pay tribute to one of punk’s eternal anthems: Know Your Product by The Saints! This isn’t just a track—it’s a searing, brass-fueled sermon that tears through the veneer of consumer culture with all the ferocity of a jungle storm.
With its snarling vocals, blistering guitars, and that iconic horn section, The Saints turn rebellion into art, delivering a track that’s as biting today as it was when it first dropped. This is raw, unfiltered punk at its finest—a battle cry against complacency that dares you to question, to resist, and to know your product in a world that’s sold its soul.
The Great Ape decrees: watch the video, feel the fire, and let the chaos consume you. Non-compliance isn’t an option—get to it, you glorious rebels!
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Celebrate the Untamed Spirit of Manifesto Maravillado
John Waters throttling a fairly unconcerned flamingo.
Somebody put something in my drink!
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On September 17, 1949, Wile E. Coyote and the Road Runner sped into history with their debut cartoon, The Fast and the Furry-ous. The dynamic duo’s endless chase began with this iconic short, directed by the legendary Chuck Jones. From the Coyote’s relentless (and often disastrous) ACME schemes to the Road Runner’s effortless beep-beep escapes, this timeless rivalry became a cornerstone of Looney Tunes hilarity. Over 70 years later, the high-speed antics and comedic brilliance of their eternal desert showdown still resonate with fans worldwide. Meep-meep, indeed!
Norman Saunders (1907–1989) was a prolific American illustrator whose career spanned decades, leaving an indelible mark on pulp fiction, trading cards, and comic books. Known for his vibrant, richly detailed artwork, Saunders brought to life the lurid, action-packed worlds of pulp magazines, from hard-boiled detectives to intergalactic adventures.
Saunders’ versatility as an artist was unmatched. He created iconic images for trading card sets like “Mars Attacks” and “Wacky Packages,” blending sensationalism with humor and captivating audiences of all ages. His pulp covers, often bursting with drama and intrigue, remain some of the most recognizable examples of mid-20th-century commercial art.
With a career that adapted to shifting trends in popular culture, Saunders exemplified creativity, adaptability, and an unerring eye for detail. His work continues to resonate, celebrated by collectors and fans for its bold storytelling and unforgettable style.
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In 1968, The Who delivered a raw, unrelenting performance for The Rolling Stones’ Rock ‘n’ Roll Circus, an audition that solidified their place in the pantheon of rock legends. Filmed for a television special that wouldn’t see release for decades, the young and hungry band unleashed an electrifying rendition of “A Quick One, While He’s Away,” a mini rock opera packed with humor, ferocity, and the wild energy that defined the band.
From Keith Moon’s chaotic drumming to Pete Townshend’s signature windmill guitar moves, The Who tore through the performance like a storm. The unbridled energy of the set was so intense, it reportedly left Mick Jagger himself worried about being upstaged—a testament to The Who’s unstoppable presence on stage. This was the band at their peak: raw, irreverent, and absolutely unforgettable.
Though The Rock ‘n’ Roll Circus project was shelved for years, The Who’s performance became the stuff of rock folklore. The juxtaposition of their anarchic energy against the theatrical chaos of the event only added to the mystique, making their audition one of the most celebrated and iconic moments of the 1960s rock scene. This performance captured the audacious spirit of a band poised to take on the world, their energy and defiance carving out a moment of pure rock revolution.
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This striking image of Jim Morrison, cradling a lamb during a performance, captures a surreal and lesser-seen side of the enigmatic frontman of The Doors. Known for his intense charisma, poetic genius, and unpredictable stage presence, Morrison was never one to conform to expectations. Whether it was his soul-piercing lyrics, provocative antics, or moments of bizarre tenderness like this, Morrison constantly blurred the lines between music, performance art, and rebellion.
Throughout his career, Morrison pushed the boundaries of rock stardom, transforming the stage into a theatrical battleground for exploring the rawest edges of human emotion and societal defiance. His performances, often fueled by alcohol and creative spontaneity, could oscillate between moments of haunting poetry and chaotic provocation. Morrison’s fascination with mythology, philosophy, and psychology often seeped into his music and public persona, making him not just a rock star but a cultural lightning rod for the countercultural revolution of the 1960s.
The lamb in this image, an unexpected juxtaposition against Morrison’s brooding intensity, symbolizes his unpredictable nature—a man capable of embodying both the feral energy of a rock god and the soft vulnerability of a poet. While audiences came expecting the wild, often unhinged Morrison, moments like this remind us of his duality: a deeply philosophical artist wrestling with fame, mortality, and his place in the cosmos.
Morrison’s legacy is one of defiance and depth, a man who sought to break free of societal constraints and drag his audience into the unknown realms of the human psyche. His ability to oscillate between the profane and profound, the chaotic and composed, has left an indelible mark on rock history. This image encapsulates all that Morrison was—unpredictable, poetic, and unapologetically himself—a true icon whose influence continues to reverberate in music, art, and culture.
Jack Calori 1936 Ford 3-Window Coupe
Wanna Know More ? The Jack Calori 1936 Ford 3-Window Coupe: A Custom Legend
Fester…
Cherie Currie, born November 30, 1959, in Encino, California, is a trailblazer of rock music, celebrated for her powerful voice and rebellious spirit. As the lead vocalist of The Runaways, the groundbreaking all-female rock band of the 1970s, Currie broke barriers and redefined the role of women in rock ‘n’ roll. With her bold stage presence and glam-punk style, she became a cultural icon, inspiring countless female musicians.
After her time with The Runaways, Cherie pursued a solo music career, explored acting, and later reconnected with her musical roots, continuing to share her passion with fans. Her legacy as a pioneering force in the industry underscores her lasting impact on the landscape of rock music, empowering women to take center stage in a male-dominated genre.
The Great Ape Commands You: Crank Up “Cherry Bomb” by The Runaways!
A raw, unapologetic anthem that exploded into the music scene, “Cherry Bomb” is a rebellious battle cry led by the fiery vocals of Cherie Currie. From the gritty riffs to the defiant lyrics, this track epitomizes the spirit of punk-glam rebellion, smashing norms and carving out a place for women in rock.
The Great Ape demands you surrender to its raw energy, crank the volume, and let the chaos reign. “Cherry Bomb” isn’t just a song—it’s a full-throttle statement of independence. So, hit play and ignite the fire! BOOM!
“Unexpected Christmas Discovery” by Norman Rockwell (1956)
Rockwell’s 1956 Christmas masterpiece captures the exact moment a childhood belief shatters. A young boy, caught mid-snoop in his parents’ bedroom, stumbles upon a telltale red suit. His expression of wide-eyed shock says it all—the truth about Santa just dropped like a sack of coal.
As always, Rockwell’s meticulous attention to detail is on full display. The well-worn wood grain of the dresser, complete with scratches and stains, tells its own story of a family’s life. The scattered mothballs, the twine carelessly discarded near the Santa suit, and the slightly ajar door all immerse us in this private, telling scene. Beyond the boy’s stunned face, the open glimpse of the stairs and the house next door subtly adds depth to the moment, making it feel like a snapshot of a lived-in world.
Rockwell balances the humor and heartbreak of growing up, giving this scene a universal appeal. We’ve all had those moments where innocence gives way to discovery—Rockwell just happened to paint one that’s unforgettable.
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Hugh Joseph Ward (1909–1945) was a celebrated American pulp artist renowned for his striking, dramatic covers that graced the pages of countless pulp magazines during the golden age of pulp fiction. His work, often characterized by its vivid colors, bold compositions, and dynamic action scenes, captured the essence of the thrilling, often lurid tales within.
Ward’s illustrations frequently depicted daring heroes, menacing villains, and femme fatales, perfectly encapsulating the adventurous and escapist spirit of the pulp era. Despite his relatively short career, his influence on the pulp genre remains significant, and his art continues to be celebrated for its energy and stylistic flair. Ward’s work embodies the larger-than-life excitement that defined pulp fiction’s heyday, leaving an indelible mark on popular culture.
Glenn Strange reads the funnies on the set of House of Dracula (1945). Legendary make-up man, Jack P. Pierce applies the re-touches.
The Blasters’ “Long White Cadillac” performance on August 17, 1985, at Loreley, Germany, is a roaring testament to the soul-shaking power of American roots rock. My knuckle-dragging nincompoops, brace yourselves—it’s a high-octane funeral procession for lost dreams and endless highways, dripping with rockabilly swagger and blues-soaked heartache.
Phil Alvin’s howling vocals hit like a freight train, pulling you straight into the melancholy yet defiant spirit of the song. The band’s razor-sharp guitar riffs and foot-stomping rhythm section set the stage ablaze, their sound echoing through the night like a long-forgotten ghost story of the road. It’s the kind of performance that grabs you by the collar and doesn’t let go, demanding you feel every chord, every beat, and every aching word.
This is rock ‘n’ roll distilled to its most primal essence, the kind of music that refuses to be polished or tamed. The Great Ape demands de-evolution, and this live rendition of “Long White Cadillac” delivers it with unapologetic grit, leaving you no choice but to submit to its power.
So, hit play, crank the volume, and let the spirit of rebellion and raw energy take the wheel. After all, The Great Ape knows best—and he demands you revel in the glorious chaos of it all!
The Chrysler Building from the roof of the Pan Am Building. (1963)
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“My guitar is my best friend” — Django Reinhardt
Django Reinhardt (1910–1953) was a pioneering jazz guitarist and composer whose innovative style redefined the possibilities of the guitar in jazz music. Born in Belgium into a Romani family, Reinhardt’s early exposure to music ignited his passion for the guitar, and by his teenage years, he was already regarded as a prodigy.
In 1928, a fire severely injured his left hand, leaving two of his fingers partially paralyzed. Remarkably, Reinhardt adapted by developing a unique playing technique that relied on his remaining functional fingers. This resilience not only allowed him to continue playing but also helped shape his signature sound—a blend of intricate melodies, rapid-fire arpeggios, and soulful improvisation.
Reinhardt co-founded the Quintette du Hot Club de France in the 1930s with violinist Stéphane Grappelli, creating a groundbreaking style of jazz known as “gypsy jazz” or “jazz manouche.” Their music, characterized by its vibrant rhythms and lyrical solos, captured the spirit of pre-war Paris and influenced generations of musicians.
Django’s compositions, including classics like “Minor Swing” and “Nuages,” remain timeless standards in the jazz repertoire. His genius transcended his physical limitations, showcasing unparalleled artistry and creativity.
Even decades after his passing, Reinhardt’s legacy endures as a testament to the power of innovation and perseverance. He is celebrated not only as one of the greatest guitarists in history but also as a symbol of triumph over adversity.
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In 1966, the arrival of a group of Playboy Bunny girls at a London airport caused quite the stir. Decked out in their iconic attire—corsets, bunny ears, and high heels—they epitomized the bold glamour and allure that had become synonymous with the Playboy brand. Stepping off the plane, they weren’t just passengers; they were a walking, smiling revolution, embodying the era’s cultural upheaval and the spirit of the burgeoning sexual revolution.
Their presence at the airport was more than just a flashy photo op. It was a symbol of a shifting zeitgeist, where notions of femininity and liberation were being redefined. The 1960s were a time of change, and the Playboy Bunnies represented a cocktail of modernity, confidence, and controversy, showcasing a new take on women’s roles in entertainment and beyond.
Playboy had grown into more than just a magazine by then—it was a global lifestyle brand, and these women were its ambassadors. Their playful yet provocative uniforms reflected not just fashion, but the changing tides of social norms. Onlookers, captivated by the spectacle, saw them as emblems of a world leaning into optimism, freedom, and glamour.
This moment, frozen in time, isn’t just about a few women descending a plane. It’s a vivid snapshot of a cultural shift—one that celebrated expression, individuality, and the daring confidence to redefine the rules of femininity. In their bold ascent into public consciousness, the Playboy Bunny girls became icons of an era that dared to embrace the provocative and the modern with unapologetic flair.
What a fink!
On the 5th of December 1937, Large Marge was born! That means he was just *36* when she was in that fatal accident in 1974.
“See Him at Drysdales (Santa on Train)” by Norman Rockwell (1940)
This 1940 Saturday Evening Post cover captures a moment of classic Rockwellian humor and warmth, balancing holiday charm with sly wit. The exhausted “Santa” slumps in his seat, his disguise half-intact—red pants, jingle-bell boots, and a telltale white beard peeking from under his overcoat—suggesting he’s had a long day of spreading Christmas cheer.
Adding to the narrative brilliance is the wide-eyed boy, clutching his Drysdale package as he pieces together the truth: the Santa in the store poster isn’t just a symbol of magic—it’s this very man, caught off-duty and dozing. The juxtaposition of the boy’s astonished expression with the cheerful, idealized Santa in the poster makes the scene resonate with humor and a dash of realism.
Rockwell’s signature simplicity shines here. The red, black, and white palette focuses the viewer’s attention, while every detail, from the creases in Santa’s boots to the boy’s tightly gripped package, serves the story. The absence of unnecessary elements creates a direct and powerful narrative, making this piece a standout in Rockwell’s celebrated Christmas repertoire.
A testament to Rockwell’s genius, this illustration reminds us that even Santa has a commute—and a well-earned nap!
Gigantor is Ape-Tastic
Listen up, my chrome-craving knuckle-draggers! Gigantor isn’t just a colossal pile of bolts—it’s the OG king of mechanical mayhem, the metal titan that roared out of the atomic age to crush bad guys and spark imaginations worldwide. This isn’t some run-of-the-mill robot—it’s a 50-ton symbol of unrelenting justice controlled by a kid with guts and a killer joystick. Gigantor’s towering presence, epic battles, and larger-than-life adventures are pure de-evolution glory, where the line between chaos and heroism is just another challenge to obliterate. With every clash of steel and fire, Gigantor proves that size does matter, and no villain is safe when this metal monster is on the prowl.
So grease up your gears and buckle in—because we’re diving headfirst into another pulse-pounding escapade with our oversized ally of awesomeness!
Get ready to brave the frozen wastelands in “Struggle at the South Pole”, where Gigantor and his crew face icy perils, frosty villains, and a danger colder than a penguin’s glare! When an Antarctic expedition uncovers a mysterious energy source buried deep beneath the ice, it’s not long before sinister forces swoop in, looking to harness its destructive power. But they didn’t count on Gigantor smashing through the blizzards to bring justice to the frozen frontier.
With towering glaciers, subzero showdowns, and a nefarious plot to bring the world to its knees, this episode cranks up the tension like an Arctic storm. As Gigantor clashes with mechanical monstrosities and outsmarts cunning foes, the stakes get higher than an iceberg’s peak. It’s up to our metal hero and his fearless allies to stop this chilling threat before it’s too late.
So crank the volume, light the atomic furnace, and let Gigantor melt the ice with sheer, unrelenting awesomeness. The South Pole’s about to heat up—one metal fist at a time!
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Hot Rod Culture and New Year Anarchy
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Carlo Jacono (1929–2000), known as “The Italian Master of Pulp Art,” was a prolific illustrator whose work defined the visual identity of Italian pulp fiction. Renowned for his vivid, dramatic, and highly detailed covers, Jacono brought to life the crime, mystery, and adventure stories of Mondadori’s Giallo series, captivating readers with his striking artistry.
With his dynamic compositions and ability to convey suspense, Jacono’s art became synonymous with the noir and thriller genres, influencing the aesthetic of pulp fiction far beyond Italy. His works, rich in atmosphere and cinematic flair, often featured shadowy figures, femme fatales, and tension-filled scenes that left readers eager to dive into the stories within.
Nicknamed the “Monet of the Pulp,” Jacono’s talent transcended genre illustration, earning him a place among the most celebrated illustrators of his time. His legacy endures as a cornerstone of Italian visual culture, his art a testament to the power of imagery in storytelling.
John Lennon’s 1963 Gretsch 6120 Nashville is a hollow-body, orange, double cutaway beauty, etched in music history. Purchased in 1965, it played a vital role in the rehearsals for “Paperback Writer” on April 14, 1966. This guitar wasn’t just another instrument in John’s arsenal—it was a piece of his creative journey.
In 1967, John gifted the Gretsch to his cousin David Birch, in a moment of familial generosity. During a visit to John’s music room, Birch, dreaming of starting his own band, boldly asked Lennon if he had a guitar he no longer needed. Lennon, ever the iconoclast, chose the Gretsch over a blue Fender Stratocaster lying nearby, handing it over with characteristic charm. “I was just cheeky enough to ask John for one of his spare guitars,” Birch later recalled.
The guitar’s story took another dramatic turn in 2019 when Birch put it up for auction, setting a reserve of $600,000. Despite its legendary provenance, it didn’t sell at auction, leading to months of negotiations with Chris McKinney, curator for Indianapolis Colts owner and avid collector Jim Irsay. Finally, Irsay acquired the Gretsch for $530,000, adding it to his formidable collection of 175 guitars, a treasure trove that includes Les Paul’s “Black Beauty”, Jerry Garcia’s “Tiger”, and Bob Dylan’s Newport Folk Festival Fender Stratocaster.
This Gretsch 6120, with its intricate web of rock history, isn’t merely an artifact—it’s a testament to Lennon’s legacy and the enduring allure of music’s golden era. From “Paperback Writer” to Jim Irsay’s collection, the guitar remains a vibrant link to the legend of John Lennon.
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Earl Norem
Beverage!
Julie Newmar born Julia Chalene Newmeyer in Los Angeles in 1933, she grew up with a flair for the dramatic and a natural ability to captivate an audience. Whether clad in elegant gowns or the slinky catsuit that defined her most iconic role, Newmar brought a magnetic presence to everything she touched.
While she’s widely recognized as the ultimate Catwoman from the 1960s Batman TV series, Julie Newmar’s career spans far beyond the rooftops of Gotham City. A trained ballerina, she began her career in dance before transitioning to Broadway, where she won a Tony Award for her role as Katrin Sveg in The Marriage-Go-Round. Her physicality, honed by years of dance, became a signature aspect of her acting, giving her characters a fluid, almost feline elegance that mesmerized audiences.
But it was her portrayal of Catwoman that truly immortalized her in pop culture history. With her sultry voice, sly humor, and unparalleled physicality, Newmar transformed the character into more than a villain; she became an icon of empowerment and intrigue. Her Catwoman wasn’t just a nemesis for Batman—she was his intellectual equal, embodying a blend of danger, allure, and undeniable charm that remains unmatched.
Newmar’s genius extended off-screen as well. A forward-thinker, she holds several patents for innovative products, including pantyhose designed to flatter and support women’s figures. Her inventive mind and business acumen reflect the same creativity and independence she brought to her performances.
Beyond her career, Julie Newmar is celebrated for her warmth and humor. She’s has embraced her status as a cultural icon with grace and humor, frequently engaging with fans who adore her work. Her legacy isn’t just about the roles she played but the way she’s inspired generations to embrace their uniqueness and pursue their passions fiercely.
Whether you know her as a Broadway star, a brilliant entrepreneur, or the unforgettable Catwoman, Julie Newmar remains a beacon of elegance, intelligence, and unapologetic individuality. She’s is a fave and a reminder that charisma and creativity are timeless.
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Jayne Mansfield in 1956 born Vera Jayne Palmer in 1933 in Bryn Mawr, Pennsylvania, was more than just a Hollywood bombshell. With her platinum blonde hair, hourglass figure, and dazzling smile, she became one of the most recognizable sex symbols of the 1950s and 1960s. But Mansfield wasn’t just about looks—she had an incredible mix of charisma, intelligence, and ambition that set her apart in an era dominated by cookie-cutter starlets.
A talented actress, singer, and performer, Mansfield gained fame with roles in films like The Girl Can’t Help It (1956) and Will Success Spoil Rock Hunter? (1957), where her comedic timing and on-screen magnetism won audiences over. She was a trailblazer in self-promotion, often grabbing headlines for her bold style, playful personality, and headline-worthy antics, making her a darling of tabloids and fans alike.
Mansfield was also a member of Mensa, with an IQ reportedly in the 140s, proving she had both beauty and brains. While Hollywood often pigeonholed her into “dumb blonde” roles, she managed to use her wit and charm to outmaneuver stereotypes, crafting a legacy of independence and unapologetic self-expression.
Off-screen, Mansfield was a devoted mother of five and lived a life of contrasts—balancing the glamour of stardom with the challenges of maintaining her career in a competitive industry. She was a prominent figure in the burgeoning pop culture landscape, often compared to Marilyn Monroe but with a bolder, more unapologetic edge.
Jayne Mansfield’s life was tragically cut short in 1967, at the age of 34, in a car accident that shocked the world. Despite her untimely passing, her legacy as a trailblazing performer, style icon, and cultural phenomenon remains undimmed. Mansfield’s enduring influence on Hollywood and pop culture is a testament to her charisma, intelligence, and indomitable spirit. She was a star who truly lived life in the spotlight, embracing its highs and lows with fearless glamour and charm.
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Willis O’Brien wheels in Kong for his movie premier, 1933.
Journey to the Center of the Earth (1959): A Rock-Solid Adventure You Won’t Believe
Grab your spelunking gear and prepare for a cinematic descent into the unknown—Journey to the Center of the Earth (1959) is here to dazzle, delight, and make you question the practicality of digging through volcanic rock. This Technicolor masterpiece takes Jules Verne’s classic novel and spins it into a kaleidoscope of lava-fueled chaos and subterranean wonder.
The story kicks off with James Mason as a delightfully eccentric professor leading a ragtag team of explorers, including a wide-eyed Pat Boone, whose crooning might just save the day. Together, they embark on an underground quest brimming with glowing crystals, boiling oceans, and prehistoric creatures that look like they stumbled out of a papier-mâché fever dream. It’s a spectacle so bold, you’ll forget to ask if it makes any sense.
Gertrude the Goose deserves her own star on the Walk of Fame. This feathered hero steals scenes and hearts, proving that no expedition is complete without poultry with personality. Meanwhile, the film’s dazzling visuals—complete with lizard-dinosaurs in party hats (yes, really)—transport you to a subterranean wonderland where danger and glitter abound.
Sure, the “science” is as solid as a crumbling stalactite, but who cares when the adventure is this grand? From shimmering underground vistas to volcanic thrills, Journey to the Center of the Earth delivers big-screen madness with charm and flair. And let’s not overlook the melodrama, which flows as freely as the molten lava.
Why bring an organ underground? Why does Gertrude get better character development than some of the humans? These questions don’t matter. What matters is the wild ride—a journey that captures the magic of pulp cinema and reminds us that exploration is always more fun when the stakes involve bubbling magma and giant reptiles.
So dim the lights, grab some snacks, and prepare to be transported. The Great Ape commands it—because the only thing better than exploring the unknown is doing it with style, drama, and a goose named Gertrude!
You can watch the whole move right here – Click the link below….
Journey to the Center of the Earth
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John Duillo
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Comic book-style poster for the Monkees’ magisterial Head, featuring a dandruff-inflicted Victor Mature.
“Porpoise Song (Theme from Head)” is a psychedelic daydream wrapped in cinematic surrealism. Written by Gerry Goffin and Carole King, and performed by The Monkees, this hauntingly beautiful song served as the opening theme for their 1968 cult film Head. Equal parts melancholic and otherworldly, it marked a dramatic departure from the band’s bubblegum pop roots.
Davy Jones, Micky Dolenz, Peter Tork, and Michael Nesmith lend their harmonies to a sonic tapestry woven with hypnotic organ swirls, ethereal backing vocals, and a lingering sense of existential wonder. The lyrics, cryptic and poignant, explore themes of loss, detachment, and the fleeting nature of fame, encapsulating the band’s frustration with their manufactured image and their desire for artistic credibility.
From the opening bubble-like sound effects to the sweeping orchestral crescendos, “Porpoise Song” exudes a trippy, dreamlike quality, making it a perfect complement to Head’s avant-garde narrative. It’s a track that defies time and space, inviting listeners to drift into its layered depths.
The Great Ape demands you dive headfirst into this psychedelic masterpiece, where the boundaries of pop music dissolve, and the surreal reigns supreme. So, crank up the volume, and let the porpoise lead the way to your de-evolution!
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The concept for Autoamerican was a bold, tongue-in-cheek celebration of American pop culture. At its core, the album sought to encapsulate the glitz, grit, and excess of Americana, with its unique blend of musical genres reflecting this spirit. Blondie, always ahead of their time, aimed to create a visual and cultural statement as striking as the music itself.
Chris Stein originally envisioned the album cover as a minimalist tribute to the ultimate symbol of American consumerism: the Coca-Cola logo. His idea was to feature the iconic branding and nothing more—a stark yet powerful expression of American innovation, indulgence, and capitalism. In a time when branding was not the ubiquitous cultural force it is today, this concept was radically forward-thinking. However, Coca-Cola turned them down, missing a golden opportunity to merge their brand with Blondie’s cutting-edge cool. “We were ahead of the curve there,” Stein reflected. “No one was doing that sort of branding.”
While the Coca-Cola idea fizzled, Autoamerican still embodied the rebellious, boundary-pushing ethos of Blondie. Its blend of punk, disco, reggae, and orchestral pop was as eclectic and daring as its unrealized visual concept. It wasn’t just an album—it was a time capsule of American culture at its most daring, indulgent, and innovative.
Rail Dragster…
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Born on 4th Feb 1938, legendary cult actor Victor Buono, seen here as Batman baddie King Tut, perhaps unwisely, smoking in a sarcophagus.
Al Moore, a talented illustrator, gained recognition in the mid-20th century for his vibrant and playful pin-up art. His work was often featured in magazines like Esquire, capturing the idealized glamour and charm of the era’s pin-up girls with a touch of humor and elegance. Moore had an uncanny ability to blend realism with stylized artistry, bringing his characters to life with bright colors, soft textures, and a sense of flirtatious fun.
What set Moore apart was his knack for storytelling within a single image. Whether it was a beach scene, a wardrobe mishap, or a cheeky wink to the viewer, his pin-ups carried a narrative spark that added depth to their allure. His influence extended beyond magazines, inspiring advertising campaigns and shaping the mid-century aesthetic of beauty and whimsy.
Though his name might not be as instantly recognizable as some of his contemporaries, Moore’s contributions helped define the golden age of pin-up art. His work remains a delightful slice of Americana, showcasing the artistry and playful spirit of a bygone era.
Congratulations on further de-evolving with this Weekend BigBoy lobotomy—you fearless Hair-Brained Hooligans owe me a banana and a victory lap!
Manifesto Maravillado – The Marvelous Manifest! You’ve braved the cosmic chaos, conquered the rebel highways, and dragged your knuckles through another high-octane, grease-streaked edition of Manifesto Maravillado. You glorious chrome junkies deserve a banana—or better yet, a spiked eggnog to toast your bold descent into the abyss of de-evolution!
Keep the Rock Carnage Rolling and your Chrome Shining!
Manifesto Maravillado: The Great Ape’s Final Words for ’24
Alright, my banana-loving knuckle-draggers, as the year barrels toward its grand finale and the chaos of ’24 settles like grease on chrome, it’s time for The Great Ape to hang up his tire swing (temporarily) and leave you with something a little less rebellious—but no less vital. This time, we’re taking a cue from none other than Elvis Presley, the King himself, who sang us a message straight from the heart: “If I Can Dream.”
Now, I know what you’re thinking—“Ape, you’re not going soft on us, are you?” Never. But even the wildest of jungle-dwelling hooligans needs a moment to look up at the stars and remember why we roar, why we rebel, and why we keep dragging our knuckles toward the horizon. It’s because we dream.
Elvis hit it right between the pompadour and the rhinestones: “If I can dream of a better land, where all my brothers walk hand in hand…” And while The Great Ape loves nothing more than a good cosmic drag race or a rocket-fueled riot, deep down, it’s all about moving forward—about keeping the fire alive, no matter how chaotic the ride gets.
This year, you’ve skidded through grease-stained rebellion, roared down cosmic highways, and embraced the beautifully chaotic mess of de-evolutionary glory. But here’s the thing—you kept going. Whether it was through roaring engines, punk anthems, or banana-fueled mischief, you proved that every stumble is just another opportunity to swing higher.
So as we close out ’24, remember this: dream big, fight for what matters, and never stop swinging. Even when the road feels endless, even when the jungle is thick—keep moving. If The Great Ape can dream (and believe me, I dream of a world filled with infinite bananas), so can you.
Here’s to a future filled with grease, grit, and unbreakable hope. Until ’25 roars to life, remember this: keep dreaming, keep roaring, and keep dragging those knuckles toward the stars.
The Great Ape commands it.
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Oh yer and the Great Ape did write the riff even though he only hit the skins in “The Secret of Hangar #9”! Give it a play!
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